As a woman of Sičangu Lakota and European American ancestry, I was raised within Native and urban American communities. I strive to create honest, inclusive works that draw from the breadth of my life experiences, Native and non-Native, urban, academic, and cultural education systems. This allows me to start from center, deepening my own understanding of the intricacies of self and culture, correlations between personal and national history, and Indigenous and mainstream art histories.
My painting and sculptural works reflect these cross-cultural experiences through the combination of influences from modern abstract painting and abstract Lakota art forms. Some are executed strictly in paint on canvas while others incorporate materials such as beads, porcupine quillwork, and buckskin, weaving aesthetics and concepts from multiple yet intertwined histories.
Recent work in performance, video, and photography focusing on issues of Indigenous language, women’s rights, and the necessity of nurturing cross-cultural relationships, has further developed the driving force of my practice; to encourage conversations that challenge the lack of representation of Native arts, people and voices in our national consciousness while highlighting the truth and necessity of equality and intersectionality.